~ The Five Classes of Stones ~
The
ideas suggested by the carving of the gravestones can be divided into five
classes: (Gravestones 1967:112-124)
I.
A Recognition of the flight of time
II. The
certainty of death and warnings to the living
III. The
occupation of the deceased or his station in life
IV. The
Christian life
V. The resurrection
of the body and activities of the redeemed soul
I. A Recognition of the Flight of Time - The most frequently used
carving for the recognition of the passing of time was the hourglass.
Occasionally the symbolism is strengthened by adding wings to the hourglass to
suggest the idea of flight. Father time himself is usually depicted as an old
man with a beard and scythe and an hourglass. Sometimes the scythe alone
represents the passage of time.
The best
examples I have found in this class of stones (figures 1 & 2 below) were
memorials to the 3 children of James and Mary Lindall and a Mr. Timothy Lindall
which were both found at the Burying Point in Salem, Massachusetts. Standing
side by side both stones depict the hourglass, father time and the morbid
skeleton. The stone of the Lindall children show father time swinging the
scythe low as though indicating he has cut short the lives of 3 young children,
as opposed to the older Timothy Lindall stone where father time is casually
carrying the scythe on his shoulder as though he is accepting the completion of
lifes work.

Figure 1 Figure 2
II. The Certainty of Death and Warnings to the
Living - The
most common of these warnings was the deaths head, sometimes with and sometimes
without wings. The Hannah Bartlett stone found at the Burying Point, in Salem,
Massachusetts (figure 3 below) shows the deaths head with an hourglass on his
head perhaps indicating that death comes to us all in time.
Figure 3 Figure 4
The least
attractive is the skull and crossbones as shown on the John Bartlett stone
found in Plymouth, Massachusetts (figure 4 above). A skull without wings is
rarely found.
Arrows, darts,
even javelins indicate death as a reminder of the battles fought with the
Indians. Items depicting the disposition of the body such as coffins usually
closed (figure 5 below), as in the stone of the 5 Jacobs children found in
Canterbury, Connecticut, sometimes opened showing the deceased as in the
Roswell Ensworth stone (figure 6 below), found in South Canterbury,
Connecticut, were used from the earliest days.

Figure 5 Figure 6
III. The Occupation of the Deceased or his
Station of Life
- The first in importance in this category was the Coat of Arms, which were a
great pride to the people. This was so greatly desired by the early settlers
that a lucrative business of establishing Coats of Arms was extremely
successful in Boston. The are usually found on flat stones such as tombstones
or tables stones of the rich as seen in the John Gardine stone (figure 7 below)
and the Guldon Saltonstall stone (figure 8) both found in New London,
Connecticut.

Figure 7 Figure 8
Military items such
as uniforms denoted a soldier, or a ship might be used for a sea-captain or
mariner or for honorable service in the Navy as seen in the stones of Captain
Robert Niles found in Norwich, Connecticut (figure 9) and Captain Chandler
Holmes Jr. found in Plymouth, Massachusetts (figure 10) both below.

Figure 9 Figure 10
Ministers can be
recognized by the wearing of a collar, a gown or a robe with bands as in the
stone of Pastor Solomon Pain found in Canterbury, Connecticut (figure 11) and
the John Hough stone found in Plainfield, Connecticut (figure 12).

Figure 11 Figure 12
The scallop
shell used by the pilgrims as a cup, spoon and dish represents earthly
pilgrimage and is usually used as a part of a border design as in the Thomas
Faunce stone found in Salem, Massachusetts (figure 13). It represented to them
their crusade, and was adopted later on their coat of armor. Also included in
this category would be other items such as symbols referring to some individual
event in a persons life such as an amputation of a limb.
Figure
13
IV. The Christian Life - The grapevine is the emblem
of Christ. 'I am the true vine, and my father is the cultivator.' (Bible John
15:1) 'I am the true vine, you are the branches,' (Bible John 15:5) A church is
often referred to as a vineyard, and it's congregation the vine. Vines are used
extensively as a border on the Daniel Gordon stone (figure 14 below) found in
Plainfield, Connecticut.
When bunches of
grapes are used, as seen in the Anne Perkins stone found in Norwich,
Connecticut (figure 15 below), and the James Dean stone found in Plainfield,
Connecticut, (figure 16 below) and mixed with corn they symbolize the body of
Christ.
When birds are
placed on grapevines it signifies the soul partaking of celestial food. An
example of this was found on the Mary Langson stone (figure 17 below) located
in Scotland, Connecticut. Doves are typically used as a sign of Christian
consistency and devotion.
Figure 14 Figure 15 Figure 16 Figure
17
V. Resurrection of the Body & Activities of
the Redeemed Soul - Fruit borders, rarely used without pomegranates were used to
foretell of the resurrection. The fig was often used in combination with fruit
borders and denoted prosperity and happiness in the world to come. These are
said to bring to mind the land of milk and honey or the promised land. The
pillars in Solomon's temple were said to have pomegranates carved on them. The
stone of Sarah Soley (figure 18 below) found in New London, Connecticut uses
pomegranates in the borders.
Figure
18 Figure 19
Figure 20
The trumpet was
used to remind us of the scriptural verse 'For the trumpet shall sound, and the
dead will be raised incorruptible, and we shall be changed' (Bible 1 Cor 15:52)
The Susanna Hinkley stone (figure 19 above) found in Barnstable, Massachusetts
and the Richard Holmes stone (figure 20 above) found in Plymouth, Massachusetts
both depict a winged, airborne cherub blowing the trumpet of resurrection. In the
Hinckley stone a banner comes forth from the trumpet which reads, 'wake ye
dead'.
The rising sun
or the elevated torch were also used to symbolize the resurrection or an
ascending to a higher plane. The stone of the 3 Storey Children (figure 21
below) found in Salem, Massachusetts displays 3 setting suns. The setting sun
or lowered torch refer to the close of the earthly pilgrimage. A flame coming
from the top of an urn was used to depict the soul separating from the ashes,
entering into a higher plane.
The peacock
which is rare, is used to represent the resurrection in incorruptibility, due
to the fabled incorruptibility of the flesh, 'it was sown in corruption but
raised in incorruption'. (Bible 1 Cor 15:43) It was also the emblem of the
glories of Heaven.
The world, sun,
moon and stars represent the glory of a new life. The unreadable stone (figure
22 below) found in Plainfield, Connecticut uses this beneath the winged effigy
as a secondary theme. 'And I saw a new heaven and a new earth, for the former
heaven and the former earth had passed away. (Bible Rev 21:1)
The most
frequently used of all the symbols concerning the resurrection is the redeemed
spirit emerging from the tomb or floating in space. The Betsy Shaw stone (figure
23 below) found in Plymouth, Massachusetts shows the emergence of the winged
cherub from the tomb.

Figure
21 Figure 22 Figure 23
The most daring
of all stones carved during this period is said to be the stone of Charles
Bardin found in Newport, Rhode Island. This stone depicts the Lord Almighty
above the clouds with outstretched arms ready to receive the incoming soul.
'Happy are the pure in heart, since they will see God.' (Bible Mat 5:8)

Background on Gravestones 
Gravestone
Motifs 
Gravestone Symbology
The Five Classes
of Gravestones 
Alphabetical
Listing of Gravestone Symbols

Light House Clock Stone 
Concord’s Sleepy
Hollow Cemetery

Salem’s Burying Point Cemetery


Dedication 
Links 
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Gravestones A New England Art Form © 1992-2007 D. A. Jacobs
Photography © 1992-2007
D.A. Jacobs all rights reserved


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